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Blind Blood Yards

by Bleach For The Stars

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1.
To Nineteen Meadows 06:53
2.
Wounding Farm 06:41
3.
Starving In Ditches 09:38
4.
All Running Meat 06:02
5.
Hot Concrete Loss 05:56
6.
Red Spoils 05:45

about

The 8th May 1945 marked the end of the Second World War in Europe. A cause for jubilant celebrations throughout the Allied nations of the Western World. The date is remembered to this day by the patriotic crowds of a host of countries.

Meanwhile, April 1945 marked the start of a darker term for German DEFs and POWs, as well as untold masses of German female civilians and children. Tortured, raped and brutalized by Russian and US servicemen in the remnants of their razed cities, marched off to a grueling, pitiful, short life of bloodied gulag labour in the cruel East, or left to rot, freeze and ultimately starve to death in US General Eisenhower's newly-constructed open-air concentration camps, stationed along the cold, wind-blasted meadows of the Rhine, under callous American guard and the distant, vengeful eyes of Churchill's British.

History does not remember them with any kindness, if at all, nor over 75 years of continuing post-War Liberal and Communist propaganda orchestrated by a predominantly Jewish-controlled media.

A harrowing past. A barrage of unaddressed and downplayed war crimes. To the victors, the spoils. To the victors, the right to re-forge history to their hardened ends.

This short, blunt album was written to quietly remember the forgotten victims of that time, silent beneath the roaring guns of a terrible alien success, and one that has led us, as Western nations, inexorably towards the present, and all the horror that it entails...

It falls to me to add that the American government, the British government, and the Russian government do owe Germany reparations (and, to some degree, the French, Czech, and Polish governments) for this gross injustice, and for much more, stretching to the present day. Perhaps they could extract this fee from the Israeli government. It would be good to observe this occurring within my lifetime.

When I am not writing music, I like to consider truth. I would recommend starting with the books "Hellstorm" and "Summer, 1945" by Thomas Goodrich; "The Bad War" by MS King; and "Other Losses" and "Crimes and Mercies" by James Bacque.

The Japanese are also owed a great apology by the American government for the outrageous campaign of hate, brutality and torture directed against its soldiers in the Pacific, and for the unnecessary murder of its civilians. It is clear that, as with so many other Jew-controlled Communist sympathisers, there was something very wrong with Roosevelt, having been aware of the planned attack on Pearl Harbour in advance through the cracking of Japanese codes, and yet still allowing this attack to occur to provide him an excuse to commence war with Japan, and, more importantly, with Japan's ally, Germany.

That he verbally approved of US troops in the Pacific collecting Japanese ear necklaces, Japanese skulls, and assorted bone trinkets, and yet remained in office, looked upon fondly even to this day, is damning, and unforgivable. The unnecessary abomination of the bombing of Hiroshima and Nagasaki with atomic weapons, on President Truman's orders, have already been remembered in musical form by Krystof Penderecki, in his Threnody. I did not directly reference Japan in any way when writing Blind Blood Yards. I would leave that task to Japanese musicians.

David Irving's book on the bombing of Dresden is also harrowing and vital research material. It is a great shame that, following his trial and imprisonment, Irving's public and private life (and the lives of his family members) was obliterated by the callous British media of Zionist psychopaths, Liberal idiots, and Marxist hatemongers, who went so far as to stalk him following the death of a loved one, gloating publicly over his great loss, and that, once destroyed mentally, he was (most likely) co-opted under threat by the British intelligence community to write inaccurate anti-Third Reich propaganda in his subsequent books. Before then, he was a dedicated historian, a gifted public speaker, and a man of shining integrity.

This is what happens to people who tell the truth these days. It should not deter us though, as the cost is too great if we fail. Despite a military victory in 1945, the Second World War has never really ended, as the victors have tasked themselves with eradicating every last lingering trace of European nationalist ideology, and destroying the lives of any who would espouse it.

Powerful, sweeping synths, slow and moody atmospherics, and a plethora of unpleasant audio samples, improvised noises, and manipulated field recordings. I was aiming to create the sort of expansive atmosphere that could function as a film soundtrack. Think of 'Saving Private Ryan' just without the tiresome Hollywood spin of a dishonest Jewish director.

credits

released July 31, 2020

all art and music by: Ben Power
all tracks mastered by J. Stillings at Steel Hook Audio Mastering

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Bleach For The Stars Harwich, UK

Experimental multi-genre concept albums, all with a prominent Industrial edge.

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