Retrospeculation

by Bleach For The Stars

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about

Rather rare, but I figured you'd never find it otherwise. Unless you have - in which case, sorry for the omissions. Consider yourself blessed.

How to go mad in a few simple steps.

And a big thank you to Mario Lino Stancati for superbly re-envisioning a portion of my work for the final piece. For more information on Mario's work & to listen to other pieces by him, go to:

soundcloud.com/user-490254534

Or email: mariolinostancati@libero.it

P.S. I (still) can't find the will to hunt down all the manufacturing makes at the moment but here's the overview: piano, keyboard, drum machine, bagpipes, violin, jawharp, kazoo, stylophone, home-made percussion, harmonica, bass guitar, my friend's guitar, a massive amount of white noise, feedback and ambient found-sounds recorded here and there, the occasional rips from a free sample if I couldn't synthesise a note (although it's no fun doing it that way), hardware sampler, software sequencer (Goldwave actually - I defy people who tell me it can't be used anymore), plug in mic, Philips Voice Tracer Dictaphone, my voice on occasion (unfortunately). There's probably more but I lose track after a while.

credits

released March 4, 2016

Music & vocal sounds: Ben Power
Additional sounds & voices on final track: Mario Lino Stancati

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about

Bleach For The Stars Harwich, UK

Grotesque post-industrial noise, obsidian atmospheres of despair & holocaustic avant-garde poetry accompanied by one of the nastiest vocal deliveries ever haemorrhaged out of a bleach-corroded throat.

There’s no humour in this, just the cold of an Eastern gallows, bitter as all dead love.

Blood-shod; hauling a bergen of skinned dreams up the raw foothills of Gehenna... and towards catharsis.
... more

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